IT’S CALLED A DIRTY WORD: How a Contract Gig Changed the Course of My Book, a craft essay by Steph Auteri
YOU DON’T NEED AN ANNA MARCH IN YOUR WRITING LIFE to Know About Getting Burned, a Craft Essay by Anthony J. Mohr
FOUND IN TRANSLATION: How my Memoir of Life Overseas Turned into a Novella, a Craft Essay by Ele Pawelski
WORKING FOR SURPRISE: On Running, Prescriptive Teaching, and the Language of First Drafts A Poetry Craft Essay by Devin Kelly
POETRY AS PRACTICE How Paying Attention Helps Us Improve Our Writing in the Age of Distraction A Craft Essay by Scott Edward Anderson
SPYING THROUGH THE KEYHOLE: A Novelist Grows Roots in the Glamorous, Twisted World of V. C. Andrews by Emma Sloley
TURNING OUT THE LIGHTS: On Cuba, Writing, and the Ecstasy of Planetary Topography, a craft essay by Tim Weed
DON’T BE A DRONE: Manipulating the Reader Through Pitch and Pace, A Poetry Craft Essay by Grant Clauser
TIME HEALS, EVEN YOUR DRAFTS: Three Key Realizations for Revising Your Novel, A Craft Essay by Wendy Fox
CHILD’S PLAY: How Creative Play Helped Unlock My Nonfiction Writing, a craft essay by Megan Culhane Galbraith
ACROSS THE DIVIDE AND BACK: How Writing Poetry Is Changing My Nonfiction, a craft essay by Vivian Wagner
EMOTION IS NOT PLOT: Using Detachment to Create Powerful Fiction, a craft essay by Claire Rudy Foster