GREEN WORLD: A TRAGICOMIC MEMOIR OF LOVE AND SHAKESPEARE, by Michelle Ephraim, reviewed by Benjamin Selesnick
The Harlan Renaissance: Stories of Black Life in Appalachian Coal Towns, nonfiction by William Turner, reviewed by Jamie Tews
SWIMMING TO THE TOP OF THE TIDE: FINDING LIFE WHERE LAND AND WATER MEET, nonfiction by Patricia Hanlon, reviewed by Michael McCarthy
THE NATURAL MOTHER OF THE CHILD: A MEMOIR OF NONBINARY PARENTHOOD by Krys Malcolm Belc, reviewed by Beth Kephart
THE BOOK OF ATLANTIS BLACK: THE SEARCH FOR A SISTER GONE MISSING, a memoir by Betsy Bonner, reviewed by Laura Smith
THE WAY THROUGH THE WOODS: ON MUSHROOMS AND MOURNING, a memoir by Long Litt Woon, reviewed by Beth Kephart
THE REAL SKY, a mixed-genre chapbook by Valerie Fox & Jacklynn Niemiec, reviewed by Kendra Jean Aquino
WAYWARD LIVES, BEAUTIFUL EXPERIMENTS: INTIMATE HISTORIES OF SOCIAL UPHEAVAL, nonfiction by Saidiya Hartman, reviewed by Gabriel Chazan
SACRED DARKNESS: THE LAST DAYS OF THE GULAG, a narrative by Levan Berdzenishvili, reviewed by Ryan K. Strader
EVERYDAY MADNESS: On Grief, Anger, Loss, and Love, a memoir by Lisa Appignanesi, reviewed by Gabriel Chazan
GASLIGHT: Lantern Slides from the Nineteenth Century, essays by Joachim Kalka, reviewed by Katharine Coldiron
AARDVARK TO AXOLOTL, essays by Karen Donovan and TALES FROM WEBSTER’S, essays by John Shea, reviewed by Michelle E. Crouch
BAD JOBS AND POOR DECISIONS Dispatches from the Working Class, a memoir by J.R. Helton, reviewed by Robert Sorrell
BIRTH OF A NEW EARTH: The Radical Politics of Environmentalism, a manifesto by Adrian Parr, reviewed by Robert Sorrell
COLLUSION: SECRET MEETINGS, DIRTY MONEY, AND HOW RUSSIA HELPED DONALD TRUMP WIN, nonfiction by Luke Harding, reviewed by Susan Sheu
AFTERGLOW by Eileen Myles and THE STRANGERS AMONG US by Caroline Picard, reviewed by Jordan A. Rothacker
ROMEO AND JULIET IN PALESTINE: TEACHING UNDER OCCUPATION, a memoir by Tom Sperlinger, reviewed by Beth Johnston
HOW WE SPEAK TO ONE ANOTHER: AN ESSAY DAILY READER, edited by Ander Monson & Craig Reinbold, reviewed by David Grandouiller