Live & Recorded Classes

Find community and grow your craft in our online workshops. We host both synchronous and asynchronous courses using Zoom and Canvas, an easily accessible, private online platform. Whether you’re a new writer or a well-published pro, you’ll find motivation, structure, constructive criticism, and a dedicated cohort.

FLASH & MICRO MENTORING

Instructor: Kathryn Kulpa

Dates: Sunday, August 4 to Sunday, August 25, 2024 (3 weeks) SOLD OUT We hope to offer this class again in September.

What it is: Weekly prompts and deadlines, supportive critiques.

CLASS LIMIT 6

Cost: $300

Open to writers of: Flash

Weekly Zooms (optional)
Final week: one-on-one manuscript consult (optional)

Kathryn Kulpa is Cleaver’s senior flash editor and one of our most popular and beloved teachers. Her flash fiction chapbook Cooking Tips for the Demon-Haunted is released by New Rivers Press. She is also the author of two flash fiction chapbooks, Cooking Tips for the Demon-Haunted (New Rivers Press) and Girls on Film (Paper Nautilus), a story collection, Pleasant Drugs (Mid-List Press), and a micro-chapbook, Who’s the Skirt? (Origami Poems Project). Kathryn has published stories in Best Microfiction, Five South, Florida Review, Ghost Parachute, 100 Word Story, Monkeybicycle, Moon City Review, Smokelong Quarterly, Wigleaf, and other journals and anthologies. Kathryn has taught writing workshops at Stonecoast Writers’ Conference, International Women’s Writing Guild, and Writespace, and was a visiting artist at Wheaton College. 

Instructor: Beth Kephart

Dates: Sunday, July 28, 2024, 2-4 pm ET on Zoom

Can’t make it on July 28? No problem. A recording will be sent to all registrants.

Cost: $60

Open to writers of: All Genres

“Details aren’t automatically interesting,” Sarah Manguso once wrote, an aphorism that rings abundantly true. Details either illuminate the story or occlude it. They establish a pattern, render a character, extend an invitation to a particular time and place—or they make a mess of things. How do we know if the details we layer into our stories are truly telling details? How can we expand our capacity to generate fresh and meaningful details, while vanquishing those that are merely fluff or, worse, self-negating contradictions? In this master class, we’ll look to the work of Claire Keegan, Elizabeth Hardwick, and James McBride—isolating key details, taking note as those details evolve across pages, and discussing the additive impact. Generative prompts will be offered, as will opportunities to collectively edit oversaturated prose that will be created expressly for this purpose. This workshop is for writers at all stages, working in all genres.

Beth Kephart is the award-winning author of nearly 40 books in multiple genres, an award-winning teacher, co-founder of Juncture Workshops, and a book artist. Beth’s newest book, the acclaimed My Life in Paper: Adventures in Ephemera, sprang from her own obsession with paper. Beth’s most recent craft books are We Are the Words: The Master Memoir Class and Consequential Truths: On Writing the Lived Life. More at bethkephartbooks.com and bind-arts.com. Read Michelle Fost’s interview with Beth about My Life in Paper: Adventures in Ephemera here.

Instructor: Megan Stielstra

Dates: Sunday, August 25, 2024, 2-4 pm ET on Zoom

Can’t make it on August 25? No problem. A recording will be sent to all registrants.

Cost: $60

Open to writers of: All Genres

“Literature does its best to maintain that its concern is with the mind,” wrote Virginia Woolf in 1926. “On the contrary, the very opposite is true. All day, all night, the body intervenes.” This workshop examines how memory lives in the body, using our own stories and experiences as a contribution to a wider cultural and political dialogue that centers human beings. Pulling from both literary and oral storytelling traditions, we’ll engage in activities that will take our writing out of the head and into the body, generating new work and digging deeper into material you’re already exploring. 

Writers and storytellers at all levels are welcome. While the workshop centers the personal essay/memoir, writers of all genres may find it useful in the development of story and character.

Megan Stielstra is the author of three collections: Everyone Remain Calm, Once I Was Cool, and The Wrong Way to Save Your Life, the Nonfiction Book of the Year from the Chicago Review of Books. Her work appears in the Best American Essays, New York Times, The Believer, Poets & Writers, Tin House, Longreads, Guernica, LitHub, The Rumpus, and elsewhere. A longtime company member with 2nd Story, she has told stories for National Public Radio, the Museum of Contemporary Art, Steppenwolf Theatre, and regularly with the Paper Machete live news magazine at the Green Mill. She teaches creative nonfiction at Northwestern University and is an editor at Northwestern University Press.

Recorded Classes

Missed it? No problem. Buy the recording.

CLEAVER CLINICS

One-on-one editorial feedback for works-in-progress.

Nonfiction Clinic
One-on-one feedback and guidance for creative nonfiction writers

Short Story Clinic
One-on-one feedback and guidance for fiction writers

CLEAVER WORKSHOP FACULTY

Karen Rile
Chief Editor, Founder

Tricia Park
Workshop Director

Cleaver Magazine