A BINTEL BRIEF: LOVE AND LONGING IN OLD NEW YORK
by Liana Finck
Ecco Press, 128 pages
reviewed by Ana Schwartz
There’s a new sort of fiction circulating, stories of young people, by young people, for young people. This isn’t YA lit. These stories range across genres, even mediums, but they all describe the ambivalence of maturing in post-post-modernity. These narratives share a sense of lostness and reflective self-estrangement. The authors are smart and the narratives are smartly-dressed. They usually take place in New York. Think Frances Ha or Tai Pei or Girls. And if, as one well-respected author of such fictions has recently described them, they at times seem “cold, lazy, [and] artificial,” they also exhibit “extreme honesty and thoroughness of […] self scrutiny.”
Liana Finck’s new graphic novel, A Bintel Brief features one such young me-person; but, although the story mines her development as an artist, it does so by digging into the past. With the distance afforded by history, and supported by the graphic novel’s relatively diffuse gaze, Finck offers a warmer, and more engaged account of a remarkably persistent theme: how one comes to feel that they belong to a community.